Showing posts with label FourWaySubmission. Show all posts
Showing posts with label FourWaySubmission. Show all posts

Saturday, July 31, 2021

Evening Meditation



Our apple tree is exuberant tonight,
its white blossoms flare within emerald shades
of our big cottonwoods,

and the flashing red finch descends
busy among the bursting white flames,
when suddenly, by a small boy enraptured,
it poses as the guardian halcyon.

Love in April is like this,
measured in flashes
of red wings in trees
and scored in lines of
molten sunlight, pouring
through our knotty fence
into the silky darkness
of our star-drenched night

(4/5/2010)

Tuesday, December 1, 2020

Winter Tree




Photo Brian Federle: Desert Tree, Palm Springs, 2016


The winter tree 
does not move.

Its wide trunk 
plunges into graven earth, 
unseen roots, grasping hands
feel deeply the living soil,
hold firm anchorage
against the coming storm,

but rising wood, thin
though strong enough 
to paint slender lines, 
trails into purer air, 
gives shelter
to Christmas birds.

They hunch on stems, quietly
waiting to sing open 
the dawn.

(12/23/2011)




Saturday, June 15, 2019

Memorial

Summer

He worked nights, leaving as we climbed
the tall narrow staircase to our shared room,
up into the summer heat, the steel fan
in the hallway window
pulling cool, leafy breezes
from our waving trees.

We heard the kitchen screen-door
slap shut, the Pontiac roaring to life,
and watched as slowly he backed down
the dark driveway, and was gone.

And gladly we glided through our misty dreams,
flying over tree-tops, baseball games
and cool swimming pools,

when finally the robin’s enthusiasm
and the fresh morning sun
flashing through green leaves
woke us as we heard the car stop
and Dad call cheerfully, “I’m home!”

The air already scented with bacon and coffee,
we flew down the groaning stairs,
two steps at a bound,
and eagerly started another golden
summer’s day.


Winter

One winter day I did something wrong, and
he got angry and drew his worn leather belt
from the loops of his grey, stained work trousers
To teach me a lesson.

Terrified, I ran upstairs to the big closet
and trembled behind coats and sweaters,
as heavily he came up the steps,
righteous anger ringing in his voice,
tears flowing down my cheeks;

when my big brother, teenage and strong,
called defiance to him and drew him down
into the back yard to fight him
and save me, angered by his
memory of so many other beatings,
determined to stop it now!


But facing his own father
he could not fight back, and
weeping, I watched my dad
pummel my brother’s defenseless face,
far worse than any beating
I would have gotten.

From kitchen window,
I screamed to them both
to stop!

That was when my father saw,
in the kitchen window’s glare
his own father’s angry eyes,
and felt his father’s fists
landing hard on his own face,
and he stopped and
embraced my brother.

Spring

Seven years after my father died
my first child, my son, was born in spring,
and in the gleaming, sterile room
I first held him in my arms
as, with his impossibly wide, blue eyes
he calmly gazed right into my raw soul,
and I felt in a sudden rush of warmth,
a timeless love
and at last discovered
the reason for my life.

It was then
I understood my father.

In my son’s face I saw my own
and felt my father’s eyes gazing
in warm wonder on me
as I glowed with
unconditional love for my son.


(30 Jan 2011/ 2017)

Photo: Steven Federle holding Brian Federle, March 1986

Sunday, April 28, 2019

Aubade: Mourning-dove




Dawn fires
the cold roses
one-
at-
a-time, 
when, with
planetary urge,
all explode to
vermillion
conflagration.

Then the cherry tree,
plain in
drab leaf,
erupts into
emerald
glory,

and high
from the bright rooftop
the mourning-dove
sings
his low, plaintive
song of 
love.

(15 June 2014)

Saturday, April 20, 2019

The Sadness of Holy Saturday


Through the moonless night
clouds choke receding light

and the world descends
into darkness.

Where are you
as winter's chill pierces my hands? 

Oh, where have you gone? 

Do you not care that I decay
without your gentle breath,
that without your light 
I wane like the failing sun?

Why have you abandoned me?

Through my tears I see 
two millennia of agony, 
the six million slain,
all the fallen generations
newly free, heavy nails 
at last released. 


Friday, April 12, 2019

The Rejection of Jesus (Palm Sunday)



Jesus the Homeless, bronze sculpture by Timothy Schmalz
Regis College, the University of Toronto.


“I hear the whisperings of many: “Terror on every side! Denounce! let us denounce him!” 
Jeremiah 20:10


Why do you not believe me?

Have I not wept
as, lost and empty
you cried out in the night?

I shed bitter tears
when at last you fell
and did not arise.

I’ll breath my anguish
and fire your still heart
with my passion.

What more can I do for you

than die?

(27 March 2015)



Sunday, March 24, 2019

A Father's Lament

Photo Brian Federle, Hawaii, 2016


Spring fills this dry land
With life, yet
I cannot see your face
or embrace you with a father’s love
as I did when last you filled our lives
with your easy laughter
and beautiful eyes.

Shall I speak to you, tell  how
small birds gather
in the budding apple tree
hungry no more,
filled with joy?

I cry out to you
and the startled birds
fall into silence,

Let me tell you, then,
Of my new life without you.

Deep in my side I feel endless pain
where my heart once beat;
now I merely breathe
emptiness.

My son, oh, where have you gone?
Call to me from the brilliant heights,

for deep in darkness I lie
crying to see you just
one more
time.

(for Brian Federle, 3/4/86 - 3/25/17)

Saturday, March 24, 2018

To My Wife in Mourning



bright day,still birds, black
spots on the blue sky, slightly
sway in trees, and wait

for winter to stay
or summer at last to come
like we’re waiting for

the pain to stop, death
to give way to the winter
sun’s soft, warm embrace.


(for our son, Brian, 3/4/1986 - 3/25/2017)

Saturday, March 17, 2018

Kentucky


Image: Fancy Farm, Kentucky

Summer steam
washes us clean
like a warm bath

as we wade through young fields, 
new corn waist high 
to where blue sky 
meets the rustling green sea.

We navigate by dead-
reckoning to the red barn. 

Wary of snakes, 
with flailing stick you flush 
out the tall, quick hares.

Feathers flashing, quail
burst heavenward at 
our clumsy approach, 

but in the dark barn 
we find 
forgiveness.

God's own light streams down 
into fragrant stalls
as wise eyes
regard us.

We reach out to touch.

They nod, 
first in warning,
then with bright approval.

(6 Feb 2012)

Monday, March 5, 2018

Suisun Spring

Photo: Brian Federle, "Camping" 3-25-2008


the green glow
of our cottonwoods
newly clothed in the gentle April sun ....

our apple tree,
still skeletal,
intimating cotton buds
promising green glory to come,

and the grass!
all winter-yellow evaporated,
shouting like a
third-grade leprechaun
skipping across the playground
in the school's St. Patrick's Day Parade.

but most unforeseen,
along the rough fence
the vinca
blazing with royal light
in the deep, verdant shade
of our cottonwoods.

(12 April 2010)


Sunday, February 11, 2018

Abscissa of the Soul


Photo by Brian Federle: Seagull, New Brighton Beach, 2009.

“Once we enter again into contact with our own deepest self, with an ordinate self-love that is inseparable from the love of God and of His truth, we discover that all good develops from within us, growing up from the hidden depths of our being according to the concrete and existential norms laid down by the Spirit Who is given us from God. “
Thomas Merton, The New Man  

Go beyond 
the surface 
of things, 
deeper 
than thin soil 
fecund 
in the rain, 
but dried to dust
by the summer wind.

Dive head first 
into the darkness;
have faith 
that someone
will catch you, 
that you will
splash into 
a warm sea, 
that a strong hand 
will reach out
and save 
your life.

If you wait 
for proof
you will find only
a solid stone 
at your core.

Death 
is like that... 
facts dash 
your brains, 
bring you 
to the edge
of nothing.

But faith 
will lift you 
beyond 
your limitations, 
will bear you up 
on golden wings,
make of you 
the Royal Ordinate 
of time and space
and you will dance 
to the music 
of the spheres,
as without fear
you reach out 
to your Beloved,  
the Abscissa 
of the soul.

**********************************

Author’s Note: In mathematics, ordinate refers to that element of an ordered pair which is plotted on the vertical axis of a two-dimensional Cartesian coordinate system, as opposed to the abscissa.  on a graph, the "x" coordinate rises or falls on the vertical line, but never moves forward. Alone, it is doomed to fail, to fall to its eventual death because things that do not move forward always die. But with its abscissa, it has forward movement... purpose... life... and can continue to soar into the ether. I am not good at math but quite good at seeing things.

(25 June 2012)

Saturday, February 10, 2018

Sunrise

Photo: Sunrise Orcas Island, 2014.  Brian Federle


"Sunrise is an event that calls forth solemn music in the very depths of man's nature, as if one's whole being has to attune itself to the cosmos and praise God for the new day, praise Him in the name of all the creatures that ever were or ever will be."  Thomas Merton, Conjectures of a Guilty Bystander



Oh call me softly
in the morning!

With winter's sun
paint golden
the pale trees.

In deep waters,
in cool ponds brush my 
legs, caress
my tender feet.

Your breath flies
through the green 
canyons.

With tongues
of flame
oh, ravish me!

(11 March 2013)

Thursday, February 8, 2018

He Does Not Need Your Sacrifice


"He does not need our sacrifices, 
He asks for our selves."  
Thomas Merton, No Man is an Island

Your sacrifice is like
the breath
of the sparrow
in the roiling storm.

It is not needed
but pleasing in its
simplicity. 

When you peel away
your small, feathered
soul, when
you stretch your thin
lungs to sing
your hymn of self-
immolation,

remember that
it is not necessary,
no, not at all, 

but still pleasing is
the purity of
your song.

(25 Feb 2012)

Sunday, January 14, 2018

Bridge at Montezuma Slough


We drive to see
where the twisted road will lead.

Salty river, winding slough,
dark water
rising to frothy cap
slapping concrete pier,


moon driven waves race
back to beckoning bay.

Finally we must decide...

cross the low bridge
or turn back,


but the flood is so close to the deck!



We feel tidal vibration,
basso profondo,
rattling sub-sonic
in our ears
as together
we face our fear,

and slowly cross,
eyes always ahead
til again we feel sure earth
solid beneath our tread.



(2013  - 2018)

Wednesday, December 6, 2017

Camping at Lake Berryessa

My children sleep
on the thin vinyl floor
while above our tent,
just past the dark tree-line,
the Milky Way glimmers
like cool waves breaking
on the black coast
of the deep mountain sky.

All night
the lake whispers softly
under gentle western winds
as egret and owl
keep guardian eyes
on the sleeping
human shore.

While watching my sons sleep,
I hear the low murmur
of wild turkey and possum
scuffling through dry dust and leaves,
searching our campground for leftovers
peanut butter crusts, hot dogs and beans,
any careless, easy meal,

when I feel rolling pressure
pushing insistently at base of our tent,
and, alarmed, hear quick, powerful,
exploratory snorts.

Holding my breath,
I gaze into the deer’s
questioning,
fearless eyes,

and wonder
if we campers
are part of this
ancient community,

or welcomed,
honored guests,

or simply curious,
rude intruders.

(30 Jan. 2011)

Sunday, October 15, 2017

Disasters of War



Iron soldiers,
astride their power,
grip swords
stand poised
wait for the order
to stain red
the innocent earth

as women,
naked bellies swollen,
watch flashing steel
steal away their children,

those
who play
at their bare feet

and those
who yet swim
in warmer pools.

Tuesday, October 3, 2017

Moss Landing





Framed in darkness
Like birds in deep silence
The sky and sea breathe
In steel blue longing
Remembering the dying sun
And the cries of gulls diving.

On insubstantial sand
We watch an impossible ship
Moving and not moving
Like a silent cloud 
at the edge of the world.

I can see no men aboard
Although I know they are there. 
I know they are in steel rooms,
Warmed by twisting turbines,
Softly cursing,
Listening to the night.

The sand moves under us
As we walk to the sea.
Our steps change forever the earth.
The sea changes forever,
We change the sky with our breath
And wind-blown sand covers our feet.

Yet we move,
And for a while we walk
Away from the sea.

The sea will change.
The sky will change.
They will wait.
There’s no hurry.


In memoriam: Arthur Federle, 1978, Brian Federle, 2017

(1979. 2017)